Anni made extraordinary weavings, developed new textiles, and taught, while also writing essays on design that reflected her independent and passionate vision. They remained at Black Mountain until 1949, while Josef continued his exploration of a range of printmaking techniques, took off as an abstract painter, and became an ever more influential teacher who wrote about the arts and education. In November, 1933, the Bauhaus shut its doors rather than abide by the restrictions of the Nazis, and Josef and Anni Albers were invited to the United States when Josef was asked to design the curriculum at the newly established Black Mountain College in North Carolina. In 1925 the Bauhaus moved to the city of Dessau to a building designed by Walter Gropius, the architect who had founded the school. In her functional textiles she experimented with metallic thread and horsehair as well as traditional yarns. She used straight lines and solid colors to make works on paper and wall hangings. They were married in Berlin in 1925-and Annelise Fleischmann became Anni Albers.Īt the Bauhaus, Anni experimented with new materials for weaving and became a bold abstract artist. She and Josef, eleven years apart in age, met shortly after her arrival in Weimar. She enrolled in the weaving workshop because it was the only course of study open to her. But she rebelled against her privileged upbringing by entering the Bauhaus in 1922. Throughout Annelise Elsa Frieda Fleischmann’s childhood in Berlin, she had been encouraged by her parents to study drawing and painting. In the late 1920s, he took photographs and made photo-collages documenting Bauhaus life. In 1925, he was the first Bauhaus student to be asked to join the faculty. He also designed furniture and household objects.
App version of josef albers, interaction of color (2013) for mac windows#
Founded three years earlier, the Bauhaus transformed modern design and emphasized the relationship between art, architecture, and crafts.īefore enrolling as a student at the Bauhaus in 1920, Josef taught in an elementary school then, following studies in Berlin, he became an art instructor.Īt the Bauhaus, he started to make glass assemblages from trash he found at the Weimar town dump and from stained glass he then made sandblasted glass constructions and designed large stained-glass windows for houses and buildings. The couple met in Weimar, Germany in 1922 at the Bauhaus. Together, they influenced modern art in both Germany and the United States. Anni Albers (1899–1994) was a textile designer, weaver, writer, and printmaker who regarded fabrics as an art form, both in their functional roles and as wall hangings.
Josef Albers (1888–1976) was a teacher, writer, painter, and color theorist, best known for the Homages to the Square he painted between 19 and for his innovative 1963 publication (at age 75) Interaction of Color. Even if you don’t recognize Josef Alber’s name, you’ve probably seen some of his paintings of colorful squares.
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